MENU
S.E.E.M. Rides
Caleb and George Squat by the creek
Dear Kate mounts her horse from a wooden stump
George Pennefather Leaps
Go Round
He was wading and calling for Caleb
He was waiting by the track
K.P.M. Steps across
My mother is sitting on a tussock
S.E.E.M. and Kate
Sarah at the Tiller
Sarah Falls from Trotter
Sarah's Big Glove
She looks across a landscape
She will ride off into the bush
Sunshine and Mark Septimus and the She Oaks
The family roo dog
The ladies in the cart were falling
The man lost his hat

Watercolours

The Mitchell women show us their lives in very different ways: Catherine Augusta and Sarah’s works were more typical of the colonial society’s expectations – pencil drawings or picturesque watercolour scenes to send home or share with friends. Kate, the irrepressible storyteller, ignored such conventions and penned visceral images of daily family life and community events rarely found in our history books and certainly not by women. Like many colonial-born girls of their station, she received what was called an “ornamental education” with a governess, along with drawing lessons in Melbourne and Hobart.

Extract from More Than Ornamental by Delia Nicholls

The Reverend Mr John Aubrey and Mrs Catherine Penwarne Ball, 1877

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1875 SEEM & Kate

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Caleb and George squat by the creek

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Catherine Augusta sits apart

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Come on!

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Fisherman Williams at the oars

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go - roouund

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Kate's roo dog and the roo

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Kate stepping across

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Kate mounts her horse from the stump

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Mark Septimus and his gun and Caleb and a roo dog

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Mr W. Shaw being thrown into the hop bin

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Oliver grabs the sappling

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Sarah at the rudder

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Sarah falling off Trotter

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Sheep hunting without a saddle

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Taken 9.2, 1875

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Watching me beat Caleb

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Kate's roo dog and the roo

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