The Mitchell women show us their lives in very different ways: Catherine Augusta and Sarah’s works were more typical of the colonial society’s expectations – pencil drawings or picturesque watercolour scenes to send home or share with friends. Kate, the irrepressible storyteller, ignored such conventions and penned visceral images of daily family life and community events rarely found in our history books and certainly not by women. Like many colonial-born girls of their station, she received what was called an “ornamental education” with a governess, along with drawing lessons in Melbourne and Hobart.
Extract from More Than Ornamental by Delia Nicholls
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